My work exists between the real and the imagined, exploring the blurred boundaries that separate the tangible from the perceived. The spaces I capture are not mere static representations but mirrors reflecting the social, political, and emotional tensions of those who inhabit them. Each place becomes a starting point, an invisible map guiding my movements and those of anyone who pauses to observe.

From an interdisciplinary perspective, where photography engages with dance and performance, I am interested in the choreography of space: how we move within it, how we inhabit it, and how, in turn, it inhabits us. My images aim to open portals to a liminal universe, where presence and absence coexist in balance, and the everyday transforms into a deeply political narrative.

The place is not just a backdrop; it is an actor actively participating in my visual narrative. I constantly ask myself: What do these spaces say about our society? What silences do the walls we observe carry? How does what we inhabit shape who we are and where we go? My work emerges from these questions, investigating everyday environments and their hidden dynamics as a form of resistance and reflection.

I want my photographs to provoke uncertainty, to challenge the viewer to inhabit the space of doubt, to move between what seems to be and what is. Each image is a window, but also a border: a crossing point between the visible and the imagined, between the past and the present, between space as a refuge and as a constraint.